Gifted Children †Blessing or Curse? Essay -- Exploratory Essays Resea

Largely ignored by the social sciences, the study of gifted students is of utmost importance. Though there are varying degrees of giftedness, it is widely recognized that those with intelligence quotients of over 130 are "gifted", as these IQ’s place them in the top five percent of the population. Gifted children have an insatiable desire to learn, to explore. They learn with very little help from adults. They are also marked by their persistence, energy, and obsessive interests. Most of them can read by age four, some even earlier, for gifted children are endowed with prodigious memories for verbal and mathematical information. They not only excel at logical and abstract reasoning; they are also interested in philosophical issues. Blessed with some many positive qualities, gifted children are often overlooked even when they’re plagued by problems. As gifted children represent only a small percentage of the student population, the public neglects many of their needs. Faced with pressures from their families, schools, peers, and themselves, gifted students become socially challenged. Thus, it is necessary for society to learn more about the stresses endured by gifted students, so that someday many of these problems can be eliminated. The independent variables include pressures from family, school, and peers. The dependent variables are the socially challenged gifted children. The intervening variables include family support, the economic status of the family, the skills of the teachers, the student’s learning style, the age of the gifted children and their peers, and the motivational level of the gifted student. Primary research was conducted through two interviews and 50 surveys. A teacher of gifted student was interviewe... ...y Relationships and the Gifted.Washington, DC. Available http://www.nagc.org/CounGuide/family.html 1998 Orange, Carolyn. "Gifted students and perfectionism." Roeper Review 20, 1 (Sept-Oct 1997) Silverman, Linda Krega."How Parents Can Support Gifted Children." ERIC Digests 16 Apr 2000 Silverman, Linda Krega. "Through the lens of giftedness" Roeper Review 20, 3 (Feb 1998) Tolan, Stephanie S. "The Lemming Condition" Roeper Review 20, 3 (Feb 1998) Webb, James T. "Nurturing Social Emtional Development of Gifted Children" ERIC Clearinghouse on Disabilities and Gifted Education Reston, VA. Available http://www.ed.gov/databases/ERIC_Disgests/ed372554.html June 1994 Weber, Patricia. "Mental Models and the Identification of Young Gifted Students: A Tale of Two Boys" Roeper Review 32, 3 (Feb 1999) Winner, Ellen. Gifted Children New York: Basic Books, 1996.

Music of Mexico and Central America Essay

Musical expressions in Central America and Mexico are very diverse. Types of music in this geographic region have similarities with other types of Latin American music but have their distinctive differences. For instance, the marimba of Guatemala cannot be compared to a charcarera melody from Argentine. Also, it is quite easy to mariachi for merengue and vice versa if one doesn’t know the subtle differences between the two genres. The wide variety of instruments, the varied aspects of texts, poetic structures, languages, and dance rhythms in the music of Central America and Mexico prove the richness of these regions’ culture (Campbell et al.  9). Music tends to reflect the cultural values, behaviors, and surroundings of a given geographic region and its people. For this reason, musical traditions in Central America and Mexico have grown very diverse through centuries. Descendants of Native Americans, Africans, and Europeans who settled in Central America, Mexico, and the entire Latin America retained many features of their musical roots and creative various blends of Latin American music. Latin American songs touch on various themes. Mexico, and countries in Central America such as Belize, Costa Rica, El Salvador, Guatemala, and Nicaragua have many love songs that are passionately sung by people, often with lyrics expressing loneliness, longing, and unconditional love. Aside from love songs, music in the Latin American region also have themes of current events and history, such as the nueva cancion of Chile and corridor of Mexico. Some songs also try to establish a connection between the singer and the supernatural, such as the songs that Chilean female shaman singers sing or the dances and chants that believers of Afro-Brazilian bahia perform. These types of songs are quite different from other musical traditions in the rest of the world but they are quite typical in Latin America. In addition, Mexico and Central American countries also have a huge collection of children’s songs, tribute songs, and songs of the seasons. Instruments used in the music of Central America and Mexico usually involve the guitar. The instrument is quite prominent in most Latin American cultures, especially those influenced by Hispanic traditions. Artists from Mexico and other Latin American countries like Brazil, and Venezuela usually make use of the maracas, clave, and guiro to produce the effect they want. Drums are also very important in the music of the region and various types of drums are used for different genres. Melodies are usually composed of notes in the minor key and rhythms which are crosses of threes and twos. Native Americans are known to produce pentatonic melodies while people of African descent frequently employ syncopation in their musical styles. Perhaps the best known feature of Mexican and Central American music is its ability to make people dance. It’s easy to dance to Latin American music, whether alone or in synch with partners (Campbell et al. 9). Over the years, radio, film, and television have popularized Mexican music to higher levels. Listeners worldwide are able to recognize Mexican music although they sometimes confuse it with other types of music from the Latin American region. The icon of Mexican music is the mariachi – a Mexican musician wearing a charo costume (Hutchinson 1192). Mariachis are known all over the world to transmit the meaning of being a Mexican. This musical group can sing anything, from ballads to songs about the revolution, from songs describing bar scenes to odes to regions and towns. Mariachis are also popular for their uniforms called charros. A charro consists of a bolero-type jacket, tight pants with a belt of intricately woven design, and a wide-brimmed hat filled with ribbons, chains, and silver buttons. This unique Mariachi costume is very similar to the simpler costumes that cowboys wear. Aside from the costume, Mariachis and cowboys also have origins in the same place, which is in Jalisco and other neighboring states (Kermecker 49). A mariachi band usually consists of three or four guitarists. Bands would usually play together for townspeople at gazebos or â€Å"quioscos† in the Main Square or â€Å"zocalo. † Today in Mexico, up to eighteen mariachi musicians can organize in a main square and play any song that the townspeople want to hear. Aside from the guitar, mariachis use instruments such as vihuelas (smaller guitars with five strings), guitarrones (six-string vihuelas with big bellies), violins, harps, and trumpets for the energetic accents of Mexican songs. The term â€Å"mariachi† could have originated from the French word â€Å"mariage,† which would make sense since mariachis usually play at weddings. However, experts today insist that mariachis have existed long before the French came to Mexico. The name might have originated from the Mexican word â€Å"mariachi† which refers to a small platform for musicians and dancing couples. Mariachis can be found all over Mexico, but especially in places such as Garribaldi in Mexico City and in Guadalajara, in the Plaza de Los Mariachis located at the intersection of Independencia Sur and Mina. Visitors at these places can pay mariachis to play them any Mexican song they want (Kernecker 49). Mariachis can employ other Latin American musical instruments to play their songs. They can use the the marimba, a hugely popular musical instrument in Central and South America. Marimbas are xylophones that consist of several wooden plates of different sizes and thickness. Modern versions of the instrument have hardwood bars of uniform thickness and tubular metal resonators that encompass six to seven octaves. Two to five players would play these xylophones with warm, mellow tones (Apel 505). Central America is a geographic region that is located in the southernmost part of the North American continent connecting South America to the southeast. A large part of Central America rests above the Caribbean Plate, making the region geologically active and the site of relatively frequent earthquakes and volcanic eruptions. Cities in Central American countries have been destroyed by earthquakes before, such as Managua, capital of Nicaragua and El Salvador. However, the volcanic lava from eruptions has made the region agriculturally fertile, enabling it to sustain huge populations of people. While modern Latin American music is recognizable throughout Central America, indigenous music in the region have received the least exposure among other types of music in the Western Hemisphere. For instance, Garifuna music from the Garifuna people of Belize, Nicaragua, Honduras, and Guatemala has quite a limited audience. Instruments used in this type of music include tree â€Å"garaon† or drums: the primera which improvises the segunda which produces counter rhythms, and the tercera which takes care of bass lines. Two wires are stretched over the tops of the drums to generate the buzzing sound that is typical of West African music. Other instruments used in Garifuna music are guitars, claves, shakers, scrapers, and bottle percussions (Nidel 291). In terms of modern music, one popular genre is Punta rock which is a dance music similar to Trinidadian Soca. The standard ensemble to play Punta rock includes instruments such as synthesizers, brass, electric bass, and keyboards. The song â€Å"La Punta† of the Punta rock genre became popular in Honduras during the 1980s (Nidel 291). People in Central America absolutely love listening to the marimba. In Guatemala, the xylophone used is considered the national instrument. Marimbas of all sizes and styles are made in the country. Some models are designed to be played by a single player while others are so big that seven people are needed to play them. Musical genres like the meringue and other dance compositions usually rely on the xylophone to produce the bass rhythms (Apel 505). During the later parts of the 20th century, marimba in Mexico became popular in the southernmost state of Chiapas. The instrument is also played in neighboring states of Tabasco, Oaxaca, Veracruz, and in the nation’s capital. Mariachis and other musical groups playing marimba are scattered all throughout the country but they are especially concentrated in Mexico City and Chiapas. In terms of performance, multiple players playing marimbas are more common in Mexico than single players. In Mexico today, marimba music is mostly a regional phenomenon. It is associated with the southern part of the country and is often placed in the same category as popular music genres like jarocho from Veracruz, mariachi from Jalisco, and norteno from northern Mexico (Beck 9). In the state of Veracruz, street musicians called â€Å"ambulantes† typically play marimba for people. These musicians would perform and compete with each other for twenty-four hours a day in the streets and in buildings. The type of marimba in this seaport city is known for its sharp-edged and heavily syncopated style. The unique characteristics of marimba in Veracruz indicate its Afro-Cuban influences (Beck 224). Mexican music is primarily of Hispanic flavor because of the imposition of European musical culture on the natives by Spanish conquistadors. In Mexico today, nobody knows what real pre-Columbian music sounds like. Even the type of music that natives play in Indian communities is noticeably influenced by the Spanish. African slaves though tempered this music by adding their own style to it. Mexicans are proud of these traditional musical genres, although many of them now listen to Western rock and pop (Hutchinson 1192). There are many popular genres of Mexican music that are meant for singing instead of dancing. One is the corrido, a narrative form of music that’s derived from old Spanish ballads. The genre spread throughout the country as armies of the revolution roamed across the land. Corrido has since become a popular mode of expression for regular citizens and artists. Another genre is called cancion which means â€Å"song,† literally. Cancion highlights the romantic and sentimental aspects of Mexicans, and is therefore naturally languid and slow. An example of cancion is â€Å"Las Mananitas,† which is usually sung to serenade people on their birthdays. Finally, there’s the ranchera genre which is a mix of Mexican country and Western styles. The genre was originally associated with the cattle men from the Bajio region. Ranchera featured prominently in many Mexican films from the 1930s to the 1940s and consequently became known all over Latin America as the typical music of Mexico (Hutchinson 1192). The Mexican Film and recording industry are powerful forces throughout the entire Latin American region. They helped several Mexican artists to become household names, drawing fans and profit to the industry. Some of the most popular Mexican artists include Pendro Infante, Pedro Vargas, Miguel Aceves Mejia, Jorge Negrete, and the Trio Los Panchos. Songwriters and composers can also gain popularity in Mexico, such as Agustin Lara who is a prolific composer of romantic â€Å"boleros,† which are Latin dance types of music However, despite the popularity of these artists, mariachis are still the most popular musical groups in the country (Hutchinson 1192). Musica tejana, Texas-Mexican music or simply Tex-Mex has attained a huge following all over Mexico, Central America, and the whole Latin American region today. The genre contains influences from various musical styles, such as bolero, ranchera, and cumbia. It is very flexible and can even draw beats from other genres such as reggae, country, rap, pop, and disco. Musica tejana is also known as â€Å"tejano† music in Mexico, Texas, and other parts of the United States (San Miguel 3). The term â€Å"tejano† may also refer to people of Mexican descent who live in Texas. Musica tejana has been created by Tejanos to reflect the sensibilities of their fellow Tejanos and Mexicans. Tejanos started demanding that traditional Mexican music meet their sensibilities as early as 1920s. Early in the twentieth century, much of musica tejana was formed by accordion sounds. After World War II, Tejano musicians tried to adapt elements of Mexican music to their musical style. Artists incorporated female duet and vocal singing into musica tejana, which was previously instrumental in nature. They also continued to use the bajo sexton and accordion to produce their music. Saxophones, and trumpets later known as â€Å"los pitos† or horn section, were also employed to create musica tejana. During the second half of the century, Tejanos continued to adapt Mexican music by using instruments such as guitars, keyboards, organs, and brass instruments (San Miguel 7). Tejanos have lived alongside Anglos for a long time and conflicts between the two races are discernible in the musica tejana that evolved from this relationship. Corridos expressed the historical conflict between Mexicans and Anglos in South Texas during the late nineteenth and early twentieth centuries. According to experts, old corridos were basically narrative ballads that told the adventures of a hero and were sung to simple tunes. In many ways, singing corridos was a symbolic means to fight the dominant Anglo culture. An example of this type of corridor is â€Å"The Corrido of Gregorio Cortez,† a narrative ballad that tells the story of a hero who single-handedly fought the law of the Anglos and won (San Miguel 8). Traditional Mexican songs like canciones reflected the changes that occurred and the attributes that were retained by Tejanos in the state. Canciones are composed of various types of songs, including: corridos, canciones romanticas, canciones rancheras, and canciones tipcas. The corridor and cancion tipica dominated vocal music by Tejasnos throughout most of the nineteenth century. During the late nineteenth century, the cancion romantica started to emerge and compete with other types of cancion. In the twentieth century however, the cancion ranchera attained a huge following, which made it the dominant type of song among Mexicans in Texas and for those who lived near the border (San Miguel 8). Aside from musica tejana, there are many other musical genres that has gained wide popularity in Central America. One is cumbia, a Colombian style of folk dance music that’s considered to represent Colombian culture, like Vallenato. Cumbia is especially popular in Panama, another country in Central America. The region is mostly inhabited by mestizos who are people of European, African, and indigenous descent. The culture of the Azuero region located in the west of the country has come to dominate Panama. The country’s preference for music such as cumbia is very similar to the musical preferences of its neighboring country, Colombia. The most significant native instrument in Panama is the mejorama, a guitar with five strings, which looks quite similar with the Venezuelan cuatro. The mejorama are often used by musicians in the country to play songs termed â€Å"torrentes. † The most recognized Panamanian musician in the world is Ruben Blades who became a star in the Fania stable of New York musicians. Blades started his career with doo-woop but branched off to different musical styles later (Nidel 291). While it is true that music is the universal language, the music of Mexico and Central America is still very unique in their own social and historical contexts. The mariachi of Mexico reflects the energetic Mexican people and their passionate tendencies. Dances with fast beats illustrate the festivity of Mexican culture while slow and languid songs show the longing of Mexicans for intangible things such as love, honor, and the past. Whether it’s marimba, corridor, cancion or ranchera, Mexican music stands out as among the best and most colorful types of music in the world. Central America also has a rich collection of Latin American music, such as musica tejana, bolero, and cumbia. Each country in this region has a different past that is reflected in their preferred musical styles. As each style crosses and mixes with each other, the music of Central America is bound to get richer in the future. Through modern forms of communication and broadcast such as the Internet, Latin American music in Central America may gather more followers in regions far away from it. The various kinds of Mexican and Central American music all have their own flavors and they must be preserved for generations to come. They contain the spirit of the Latin American culture and must therefore be listened to by new generations of Latinos and other artists and ordinary people outside of the region. Works Cited Apel, Willi. Harvard Dictionary of Music. Cambridge: Harvard University Press, 1969. Beck, John. Encyclopedia of Percussion. London: Taylor & Francis, 1995. Campbell, Patricia Shehan et al. Songs of Latin America: from the Field to the Classroom. Van Nuys: Alfred Publishing, 2001. Hutchinson, Peter. Central America & Mexico 2004. Bath: Footprint Travel Guides, 2003. Kernecker, Herb. When in Mexico, Do as the Mexicans Do: The Clued-in Guide to Mexican Life, Language, and Culture. Columbus: McGraw-Hill Professional, 2005. Nidel, Richard. World Music: the Basics. New York: Routledge, 2005. San Miguel, Guadalupe. Tejano Proud: Tex-Mex Music in the Twentieth Century. College Station: Texas A&M University Press, 2002.

Why Canadians Should Leave Afghanistan

since February 2002, approximately 15, 000 Canadian soldiers have served in Afghanistan. 78 Canadian Forces (CF) casualties have occurred, including one diplomat. The role of the Canadian Forces in Afghanistan is often debated. Many disagree with the mission and want the CF to leave Afghanistan now. Doing this however would only be failing the Canadian commitment to the International Security Assistance Force (ISAF) and NATO. Canada should keep its commitment and remain in Afghanistan until the mission is complete. Afghanistan is in state that is almost beyond third-world. However, the mission that Canada is currently involved in has improved the country drastically and will continue to do so as long as the mission continues. So why take the chance and leave when Canada could further development and security ? Canada is not just involved in a combat role. We are also deployed to help rebuild the country. If Canada leaves now we would not only break our commitment to NATO, however to the Afghan people who really need the help as well. Three major reasons to why Canadians are still in Afghanistan and should continue to be in Afghanistan are national security, development of infrastructure and systems , and economics. This alone should be the reason why the Canadian forces should continue their duty in Afghanistan. Even though Canadians are spending billions of dollars ensuring the safety and security of a country that is highly regarded as â€Å"hopeless† in a sense where its highly doubted that this country will ever be stable. It is not only there obligation but there duty because of the commitment they made and as one the wealthier countries Canada cannot stand idly by and fail to help one of the poorest countries in the world. There are now 2,500 Canadian Forces personnel participating in the Afghanistan mission most of them being in the most most troubled province of Kandahar. They are there to help the security situation and to help extend the authority in the government. Also the Canadian forces is training both the Afghanistan National Army and Afghani police force and by doing this, citizens could feel more eat ease knowing that their local police force or national army could provide safety and security from the warlord and tali bans. However not only are we providing security for Afghanistan but to the Canada as well. Canada for many years has been one of al-Qaeda’s top hated countries. Canadian citizens think that just because there aren’t as recognized as the states in a bad way that we can be safe from attacks such as 9/11. Really we almost definitely could be next to be attacked. Afghanistan is a home for terrorist organizations and criminals. So, by staying in the country to try and eliminate the insurgency we are really protecting the national security of Canada. The same also applies to the countries surrounding Afghanistan. A secure Afghanistan means a secure Central Asia. Afghanistan is situated between a a pre-nuclear Iran on one side and a post-nuclear Pakistan on the other, geo-politically this can be a problem if Afghanistan fails to establish a self rule government, because then the neighbors will get involved and de-stabilize a radio active region. This is why the Canadian forces are in Afghanistan to prevent situations like theses from occurring. The whole mission is to educate and act as security for this nation until it could help and provide for its own. If Canadians pull out now what was the reason for coming in the first place ? It would be a waste of time, life and money the only logical thing to do is to stick with it and hope for the best. Canadians are often saying is Canada willing to commit themselves to decades of involvement in Afghanistan, which could cost hundreds of Canadian lives and billions of dollars with no guarantee of ending up with a normal society. This is true to a certain degree that lives will be lost and money will be spent. However is it not the outcome of the situation that counts ? If 1 Canadian dies 1000 people cry If 1000 Afghans die 1 person cries† Canada should be looking towards the future because realistically if we pull out now more Canadian lives could potentially be at stake from al qeida and other terrorist groups. Canada is pushing forward trying to make a Dependant state become independent and yes, this will cost some lives and the use of money but it will benefit them in the long run. S ince there time in Afghanistan, Canada has helped the development process immensely by building infrastructure, impementing vaccination programs, health related issues and an education system. accination program has nearly eradicated the disease in Kandahar province and throughout southern Afghanistan. Second, infant mortality in the region has taken a dramatic downturn. Also there are a lot more children than the previous generation and this is very vital to the development of Afghanistan. The Canadian international development agency is the main contributer to the development aspects of things. They have taken on the role of Investing in the future of Afghan children and youth through development programming in education and health and improving the lives of Afghans, especially women and children. The Afghan people are relying on the international community to help them rebuild their lives and their country after having suffered through decades of instability, oppression and insurgency. By supporting the rebuilding of institutions such as independent courts, police and an army, Canada is laying the ground work out for afghans. This shows that Canadian efforts are not going to waste and more importantly that they are slowly making a change and even though it has taken them 11 years to do so, Canada is finally starting to see results in which do not occur over night. Some people might argue the fact that the government is using the taxpayers money for something that has no beneficial value to the Canadian citizens. People need to realize that Afghanistan was a training ground for terrorists whose actions disrupted Canadian lives and economy. In order to prevent this from happening again Canada is instituting a government system and a strong military force. Also there trying to find a different source in which the afghan economy can flourish because right now Afghanistan main source of income are poppy fields however we know I as heroin. lowly womens ability to explore and achieve improved economic potential is healthier and generates hope for a brighter future for them and their families. Furthermore economic empowerment is not a womens issue its a development issue, there isn't a better way to improve a county's living condition than to empower women. If there are more people in th working class than the country could generate more income. Canad a's involvement allowed women to take a minor step into empowerment, which as we all know is a great deal in Afghanistan. However the problem for the country isn't that it cant generate income, it is that it can development a great economy but the ground work to start them off was never there until the Canadians showed up. The fact is that Afghanistan has substantial untapped natural resources, including not only oil, natural gas and copper but hydro-electric power sources as well. Developing Afghanistan's capacity to export energy could help improve the nation's economy and defuse regional tensions. Canadian corporations should be ready to take part in such major development projects. Our involvement would benefit both Canada and Afghanistan. With so much going for Afghanistan development process and the minor risks taken by Canada, why shouldn't they stay and continue the job that they committed to. The only logical answer could be if there was no development process and the whole was failure, but its not Canada is building and reshaping Afghanistan economy, government. A major step as already been taken by granting women some rights and citizens of Canada need to take notice of this. If canada keeps this up lowly but surely Afghanistan will be a independent country with limited terrorism.

Word Choice Nauseous, Nauseated, or Nauseating - Proofed

Word Choice Nauseous, Nauseated, or Nauseating - Proofed Word Choice: Nauseous, Nauseated, or Nauseating? Do grammatical errors make you feel sick? If so, are you feeling â€Å"nauseous† or â€Å"nauseated†? These words cause a lot of strife among grammarians, so we thought we would clear up some of the controversies by looking at three terms in detail: â€Å"nauseous,† â€Å"nauseated† and â€Å"nauseating.† Time to take your grammatical medicine! Nauseous (Causing Nausea or Feeling Sick) â€Å"Nauseous† is an adjective with two distinct meanings in modern English: Causing nausea or disgust nausea or disgust Feeling sick or disgusted The traditional meaning of â€Å"nauseous† is the first definition above. For example, we might say: The rotting meat gave off a nauseous smell. Here, â€Å"nauseous† implies that the smell of the meat is disgusting. Some (pedantic) people will insist that this first definition is the only â€Å"correct† use of this term. However, in practice, the second definition is widely used as well. As such, we could also say: The smell of the rotting meat made me nauseous. In this case, â€Å"nauseous† describes the feeling of nausea. This is, in fact, the most common meaning of this term in modern English and almost always how it is used in everyday language. Nauseated (Feeling Sick or Disgusted) The traditional word for feeling sick or disgusted is â€Å"nauseated.† This makes it like the second sense of â€Å"nauseous† above, so we would use it as follows: His disgusting habits left me nauseated. This term is actually the simple past tense of the verb â€Å"nauseate,† which means â€Å"to cause nausea.† Nauseating (Causing Nausea) Another variation of this term is the adjective â€Å"nauseating,† which means â€Å"causing nausea or disgust.† It is therefore used in the same way as the first definition of â€Å"nauseous† above. For instance: I find violent movies nauseating. The adverbial form of this word is â€Å"nauseatingly,† which is used when describing an action. Nauseous, Nauseated or Nauseating? So, with all of these overlapping meanings, how do you avoid errors when using these terms? Most of the time, using either â€Å"nauseous† or â€Å"nauseated† to mean â€Å"feeling sick or disgusted† is fine. You can then use â€Å"nauseating† to describe something that causes nausea or disgust, since this term only has one meaning. However, some still prefer to use the old-fashioned meaning of â€Å"nauseous,† especially in formal medical writing. Keep in mind, then, that it may specifically mean â€Å"causing nausea† in some cases. Nauseous = Causing nausea or feeling sick Nauseated = Feeling sick or disgusted Nauseating = Causing nausea

Bonds vs. Bounds

Bonds vs. Bounds Bonds vs. Bounds Bonds vs. Bounds By Mark Nichol What’s the difference between a bond and a bound, and the relationships of the verb and adjective forms? Both words have to do with constraints, but the multiple meanings aren’t necessarily related. A bond is something that binds literally, as with chains, or figuratively, as an agreement or a financial obligation and the word is etymologically related to bind as well as band. The last word is from Old Norse and is related to the Scandinavian word bindan, which means â€Å"to bind.† Borrowed into English, that word developed into two terms: band, meaning â€Å"something that binds,† and bande, meaning â€Å"a flat strip.† With the loss of the appendage e, the four-letter word now represents both meanings. The latter sense of band is the origin of the use of the word in â€Å"rubber band† as well as the reference to a musical ensemble (from the military origin of the band, whose members, as soldiers, would wear insignia, originally in the form of strips of cloth, in common) and, by extension, any group that travels together or associates. However, the second syllable of husband, which means â€Å"dweller,† is etymologically unrelated to band. (The first element, as you may have guessed, means â€Å"house.†) Nevertheless, it became associated with bond because although the Old English word bonda means â€Å"householder,† in the feudal era, the connotation was of a serf or a tenant farmer, hence the idea of restraint. A bound is a limit, and the verb form means â€Å"to form the boundary of,† but from the sense of bind, it also means â€Å"fastened† or â€Å"compelled.† The adjective bound means â€Å"confined† (â€Å"I’m bound to my desk for the next eight hours†) or â€Å"obligated† (â€Å"I’m bound to honor my agreement†), as well as â€Å"sure† (â€Å"It’s bound to get better†) or â€Å"determined† (â€Å"She is bound to get her way†). Note, however, that this last sense can seem ambiguous: â€Å"She is bound to get her way† could be construed as referring to certainty, not resolve. The same word seen in such constructions as â€Å"I’m bound for Europe† and in the compound homebound is unrelated; that word comes from a sense of â€Å"to prepare,† another meaning for the word that formed the second part of husband. The bound used, for example, in the sentence â€Å"They watched him bound from group to group† or forming the root of rebound is from a third source, a French word meaning â€Å"leap† or â€Å"echo.† The noun and verb bend, by the way, is related to band and bind, as well as to the German word bund, meaning â€Å"league.† Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Misused Words category, check our popular posts, or choose a related post below:Regarding Re:15 Types of Documents9 Forms of the Past Tense

Tourism city brand of integrated marketing communications Dissertation

Tourism city brand of integrated marketing communications - Dissertation Example Brunel University Brunel Business School Uxbridge, Middlesex UB8 3PH United Kingdom Tel: +44 (0) 1895 267007 Fax: +44 (0) 1895 269865 Declaration I hereby undertake the completed report on my own and it is my work. I have provided complete acknowledgement to authors of any information that has been previously published and used in this report. It to my best knowledge that the information provided in this report meets all ethical requirements of providing citations throughout the text (Harvard Style). I also understand and accept that my completed report upon submission will become the property of Brunel University which is then allowed to reproduce this report in any for educational and research purposes without seeking consent from me. Student ID: Date: Word Count: Acknowledgements I would like to personally thank my supervisor Dr. XYZ who has been quite supportive despite of his other commitments. Without his guidance it would not have been possible for me to complete this disserta tion in a meaningful manner. This research work has been a one of the best practice in my learning career and has surely help me develop my education research skills which would help in my career. Moreover, without the support of my parents and teachers, it would not have been possible to conduct this research work. I therefore dedicate the work of mine to my parents, teachers, and friends. Abstract The branding and marketing of cities is an essential factor for the governments for the promotion of their cities, and it helps them to improve the economic position of the government in this era of globalization. Over the last few years the London City had been preparing for the event of Olympics which were held almost 2 months ago and keeping in view the phenomenal event of Olympics, this study can be considered as a useful attempt to investigate how integrated marketing communication tools have been used for marketing of Olympic Games 2012 and branding of London city as a host city wh ich has been known for its rich culture and social heritage and setup. The prime objective of this research work is to focus on the integrated marketing tools that are applied in the branding of the London city. For this study, an online survey was conducted through which 150 respondents residing in either UK or other EU countries took part. The data collected from the primary research was subjected to statistical modelling including regression analysis to draw upon the relationship between effectiveness of integrated marketing communication (IMC) used by different authorised organizations on the perception of tourists or travellers visiting London as to whether they feel that IMC has successfully branded the London as the host city of Olympics 2012. The result of the present study has revealed that IMC activities have successfully branded London as a city and there is a significant impact of IMC on branding of London city. Table of Contents 2 Acknowledgements 3 Abstract 4 Chapter 1 - Introduction 11 Chapter 2: Literature Review 20 Chapter 3: Research Methodology 43 Chapter – 04: Findings and Discussion 54 Chapter 5 - Conclusion and Recommendations 71 Appendix I:

Critical and evaluative intellectual biography of Jean-Noel Kapferer 3 Essay - 1

Critical and evaluative intellectual biography of Jean-Noel Kapferer 3 articles - Essay Example Although many managers feel that investment in luxury business is one of best ways to remain profitable, they fail to understand the nature of the products and the best way to approach the market to optimize organization profits. Through a series of research based articles, Kapferer eliminates the vagueness that hinders understanding of luxury brands and provides an approach to invest in luxury business by analysing the client behaviour and their purchasing patterns. Through creation of brand awareness, Kapferer has managed to influence the contemporary business strategies. A close analysis of Kapferer’s contribution the design of the luxury brands will show his great influence in the business market. The main area of focus of Kapferer has been in modern business, especially in the branding of luxury brands. He has dedicated a number of his works to the luxury market that for long has become vague, putting the managers at the risk of failure in this market. His strong background in business is linked to his great experience and knowledge in the field of business. Kapferer is MBA holder from HEC Paris and PhD in North-western University in USA. Currently, he serves as a professor as HEC Business school, one of the schools that have won the first position among Europe business school. Overtime, Kapferer has developed the skill of indepth and critical analysis of brands with the aim of providing product design strategies that can be applied in the practical business environment. He has produced a number of books in different languages that have become brand icons in the business environment. His experience as a business consultant in the international business environment has contri buted to his influence in the business environment (Kapferer, 1996). Having identified the vagueness that exists in the understanding of luxury products, Kapferer seeks to provide disambiguation through an in-depth analysis of the factors